As a young man on the day of an examination or of a duel feels the question that he has been asked, the shot that he has fired, to be a very little thing when he thinks of the reserves of knowledge and of valour that he possesses and would like to have displayed, so my mind, which had exalted the Virgin of the Porch far above the reproductions that I had had before my eyes, inaccessible by the vicissitudes which had power to threaten them, intact although they were destroyed, ideal, endowed with universal value, was astonished to see the statue which it had carved a thousand times, reduced now to its own apparent form in stone, occupying, on the radius of my outstretched arm, a place in which it had for rivals an election placard and the point of my stick, fettered to the Square, inseparable from the head of the main street, powerless to hide from the gaze of the Café and of the omnibus office, receiving on its face half of that ray of the setting sun (half, presently, in few hours' time, of the light of the street lamp) of which the Bank building received the other half, tainted simultaneously with that branch office of a money-lending establishment by the smells from the pastry-cook's oven, subjected to the tyranny of the Individual to such a point that, if I had chosen to scribble my name upon that stone, it was she, the illustrious Virgin whom until then I had endowed with a general existence and an intangible beauty, the Virgin of Balbec, the unique (which meant, alas, the only one) who, on her body coated with the same soot as defiled the neighbouring houses, would have displayed—powerless to rid herself of them—to all the admiring strangers come there to gaze upon her, the marks of my piece of chalk and the letters of my name; it was she, indeed, the immortal work of art, so long desired, whom I found, transformed, as was the church itself, into a little old woman in stone whose height I could measure and count her wrinkles.